A Woman’s place is in the war effort! notes
Did they deliberately design the streaking up
dematerializtion effect to set this up?
***Hey. Wasn’t there
a person on that toilet?
The Marco Polo distraction was cute. I was forgetting that they had the magic key
The ladies outhouse.
Oh, that sets up the indoor women’s room later, doesn’t it.
Bishop: There is a
soon to be bad Bishop, who’s actually a replacement, robot, clone of me, but I’m
the good Bishop.
Ava: So which Bishop
blew up the Waverider?
Bishop: Well, that was me.
Spooner: Oh No. Evil Virus Gideon.
Gideon: That seems a
bit harsh. How about misunderstood
Gideon who’s just trying to keep the timeline intact?
Aeroimpetus stabilizers
Bishop just assumes he’s part of the team.
It seems awfully easy for them to just walk onto the manufacturing
plant grounds during wartime. Even with
the recruitment fair.
Did Eleanor Roosevelt really make recruitment films like
this?
McDougal Jemison
They’re really leaning into the Rosie the riveter arm thing
Still the 1925 credits
Zari Tomaz is heading back to the totem to get things ready
for Nate. And now he’s worried what the ancestors
will think of him
Oh right, Nate hadn’t told everytbody about moving in with
Zari into the totem
He still doesn’t need the steel helmet
They forgot to break to Gwyn that there’s a second world war
gently
Of course Spooner can weld
Sara and Ava are put on assembly, Gideon’s the prettiest so
douche boss takes her as secretary
Astra and Spooner are put on janitorial because they aren’t
white
O totally get Astra’s growing irritation at the racism
Abby
She can draw them a map to the port o johns outside. The women don’t have indoor bathrooms
They have to put washers on bolts in an assembly line
Love Spooner’s head wrap
Spooner is the practical one. Smuggling parts out requires a vessel.
12 hour shifts. Yuck
Their boss in janitorial is very much the ‘slow progress don’t
scare people and ubndo what’s been achieved so far’ point of view while Astra
is the young angry energy
The uncle can have Nate kicked out of the totem and the show
basically says ‘Rules? Who knows or cares.’
Ta’arof. We’re
learning about Persian culture, which is awesome. Bishop is the guest that must be made welcome.
Ava is doing the I love lucy chocolate conveyer bit
Nice comedy bit to underline the danger of getting caught
stealing
Good on you Sara for instantly noticing that Astra and
Spooner are suffering from racism’
The women of color have built their own secret workshop to
fix things. And Spooner and Astra are
allowed access.
You must deny things three times to avoid seeming expectant.
That’s actually a really great description of social manners
Is it possible to make an entire plane in two days?
The injection molder is down
You couldn’t make that part with an injection molder
Having access to Staples office is a good thing for
them.
I totally get why Astra smacks down that asshole.
Sara: You know, he’s
kind of giving me like a creepy John Travolta vibe.
Sara’s right, Staples out of the way makes things way easier.
The boys have made homemade pasta for spaghetti.
It’s true that if you compliment something you have to give
it to them. That’s why they say no envy
Nate: I love you too,
here are some complex carbohydrates.
Gideon being curious about why humans have secrets
They’re forced justy by logistics to improve things in the
factory so that they get planes made on time and don’t draw attention to
themselves through time.
Step one – getting women an idoor bathroom
Love the ‘improving things’ montage.
This is so totally the plot to 9-5
And here comes the rub.
Forcing change too fast CAN prevent any change at all. That point of view is not irrational.
I’m disappointed in Abby for quitting over
iontegration. It does make sense in period
though. And nmot all the white women
quit.
Astra: You don’t
stick a knife in a man’s back 9 inches, and then pull it out 6 inches and call it
progress. It’s torture.
Female Worker: What
good is change if it doesn’t last?
Both are completely valid points.
Of course they use Rosie the Riveter as a montage song
Gary and Gwyn are strangely charming together
Where are the Legends getting all this food to make lunches,
one wonders.
Behrad is such a good dude.
His dedication to ta’arof really sums up his character
Good on Astra for calling Behrad out for using ta’arof as a
way to avoid conflict
Not sure I’m up for Behrad and Astra as a couple
Wait, now they have a donut maker?
Bishop is Gluten free.
Sigh.
Love to see Behrad calling Bishop out for being a rude
jackass
Bishop made a wacky hat for Gideon to wear to control the
time machine but forgot to tell anyone he was making it and thus looked like a
lazy jackass.
Staples won’t even look at the minority women as he insults
them
This is exactly the ending of 9 to 5
Astra must have had Gideon return the first lady’s phone
call.
Astra: A good guest
can make a good host.
Was Eleanor R. clear what was really going on all the
time? It feels like it.
E.R.: Aren’t we lucky
ladies, to have such strong intelligent men in our lives?
Sara and Ava didn’t have much to do in this one, did they
Gwyn: You dropped a
toilet. On my time machine! I don’t have to talk to you.
So now Gideon just has to think with the hat on and can navigate.
And now she can understand why humans keep secrets.
Funny that only Zari notices that Gwyn is identical to John
with a beard.
Nate refusing three times is a nice cap to that storyline
Manners are usually performative
These two dynamics in opposition are exactly how progress is
made against discrimination.
Nice segue to realizing that they’d changed the timeline and
alerted evil Gideon
And now Gideon gets to make a precision jump to rescue the
team
I really thought they’d rematyerialize with Bishop having
taken that bullet with him
Love Bishop rescuing them with the machine gun that was set
up as the final piece to get finished on the plane.
And his final sacrifice was actually touching.
Evil Zari and Evil Astra are the two who were killed. Can they just fix them? Looks like it.
So evil clones of the Legends are the villain for the remainder
of the season.
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